Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 6]

This is the sixth and final chapter of “Five Minutes Won’t Cut It” (大泥棒に5分は長い), a short story by Kisaragi Shinichi 1(如月新一). I have permission from the author to translate this work.

Thanks to Locksleyu from Self Taught Japanese, both for inspiration to start this project and for help with verifying the translation and editing.

I’m Sorry, I Won’t Do It Again

The Anekawa couple wasn’t coming out of the bedroom, so we left their place behind, realizing this would be our only chance. It was a risky bet, but now the wind was drying our cold sweat—we made it.

Continue reading “Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 6]”

Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 5]

This is the fifth chapter of “Five Minutes Won’t Cut It” (大泥棒に5分は長い), a short story by Kisaragi Shinichi 1(如月新一). I have permission from the author to translate this work, and I plan to release the complete story in six chapters.

Thanks to Locksleyu from Self Taught Japanese, both for inspiration to start this project and for help with verifying the translation and editing.

I’m Moving Back In With My Parents

“I’m moving back in with my parents.” I never thought the day would come when I would say those words. The only thing there for me is nagging. My parents are the type of people that still say a woman’s place is in the home, so I can’t imagine us seeing eye to eye.

My job comes with responsibilities. It’s not like I’m making a weekly magazine for fun. I’m hoping the articles I write will reach the world, resonate with the world, even a little. Occasionally I’ll write some worthless, exaggerated piece: actors and their suspected affairs, celebrity ratings, secret pop star rendezvous. But no matter the topic I want to take it head on. That’s why I just keep getting busier.

Continue reading “Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 5]”

Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 4]

This is the fourth chapter of “Five Minutes Won’t Cut It” (大泥棒に5分は長い), a short story by Kisaragi Shinichi 1(如月新一). I have permission from the author to translate this work, and I plan to release the complete story in six chapters.

Thanks to Locksleyu from Self Taught Japanese, both for inspiration to start this project and for help with verifying the translation and editing.

If Only It Had Been Three-Minute Udon…

Do these noodles feel any different? I was slurping them up with my head cocked to the side, unable to recall what they were like before, when a sound came from the entrance; Abiko and I exchanged looks.

My expression stiff with wide eyes, I broke into a cold sweat.

Continue reading “Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 4]”

Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 3]

This is the third chapter of “Five Minutes Won’t Cut It” (大泥棒に5分は長い), a short story by Kisaragi Shinichi 1(如月新一). I have permission from the author to translate this work, and I plan to release the complete story in six chapters.

Thanks to Locksleyu from Self Taught Japanese, both for inspiration to start this project and for help with verifying the translation and editing.

Chapter 3: Why a Book About Kyoto?

On the right was a Japanese style room with a tatami floor, and the room on the left was set up like a bedroom.

I went to the bedroom on the left, Abiko took the Japanese style room, and after ten minutes of rummaging we met up in the living room to compare our findings. Abiko was carrying a Kyoto travel guide, and I was holding a watch and a ring.

Continue reading “Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 3]”

Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 2]

This is the second chapter of “Five Minutes Won’t Cut It” (大泥棒に5分は長い), a short story by Kisaragi Shinichi 1(如月新一). I have permission from the author to translate this work, and I plan to release the complete story in six chapters.

Thanks to Locksleyu from Self Taught Japanese, both for inspiration to start this project and for help with verifying the translation and editing.

Chapter 2: My Eyes Have Been Failing Me

In elementary school, being the kid that wins races is a big deal. Things were simple back then. However, when you get to middle and high school, running fast is no big deal—it won’t make you popular. No one pays attention unless you have outstanding looks or you’re involved in some kind of activity.

I’m still in my early twenties, so Abiko, in his mid-forties, says, “I don’t want to hear you say, ‘When I was young…’ ” and Aoi says, “If you were so fast, you should’ve just joined the track team.”

Continue reading “Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 2]”

Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 1]

This is the first chapter of “Five Minutes Won’t Cut It” (大泥棒に5分は長い), a short story by Kisaragi Shinichi 1(如月新一). I have permission from the author to translate this work, and I plan to release the complete story in six chapters.

Thanks to Locksleyu from Self Taught Japanese, both for inspiration to start this project and for help with verifying the translation and editing.

Chapter 1: Five Minutes Is Just Too Long

“I thought it was usually three minutes. Only three. Five minutes is just too long.”

“Too long for what?”

“Look—Ultraman finishes off giant monsters in three minutes. What could possibly take five whole minutes?”

Continue reading “Japanese Short Story Translation: “Five Minutes Won’t Cut It” by Kisaragi Shinichi [Chapter 1]”

Do I Need to Translate to Read Japanese Novels?

If you are learning Japanese, you may wonder what it takes to be able to read a book in Japanese. Since you’re reading this, you already know how to read English. It may seem like the quickest path to Japanese reading fluency would be to find the English equivalent for each word and expression, then let your brain process the English. Very straightforward.

I have seen a couple examples of this approach for learning a second language. When I was a college student, I had the opportunity to be a home tutor for a Japanese high school student, helping him with his English homework. I was surprised to see that one of his objectives was to precisely and rigorously translate English sentences into Japanese. The resulting Japanese was not natural, but he was being taught to use those sentences as an intermediary when trying to understand English. Although challenging, it didn’t seem to me like he would get very far if his objective was to truly understand English. Even if he could understand written English using this method, he would be left behind, brain filled with Japanese, in any kind of English conversation.

Continue reading “Do I Need to Translate to Read Japanese Novels?”

Unofficial Translation of a Story From “Honey Bees and Distant Thunder” by Onda Riku

I posted a bilingual review of Honey Bees and Distant Thunder by Onda Riku here. To follow up, I’m posting a translation of a short story that is embedded into the novel as part of the description of one of the songs that a character performs in a piano contest. This short story is one of the many creative ways Onda Riku expresses music through words.

I decided to translate this because it was challenging for me to catch the details the first time I read through it. I realised that it was because I had trouble determining the subjects of some of the sentences and who some of the pronouns were referring to.

In my attempt at a translation into English I tried to clarify many of the subjects. English writing tends to use sentences with explicit subjects more frequently, while in Japanese, the subjects are often inferred from contextual clues.

I won’t give away who performs the song or what song this story is describing in case you plan on reading the book yourself.

Continue reading “Unofficial Translation of a Story From “Honey Bees and Distant Thunder” by Onda Riku”

Ten Japanese Four-Character Idioms in Context from “The Night is Short, Walk on Girl”

Four-character idioms are an interesting feature of the Japanese language. From here on I will call them yojijukugo, which is the romaniztion of 四字熟語. One example that a beginner may be familiar with is, “一生懸命いっしょうけんめい (is shou ken mei)”, which basically means to try hard. It’s often quite relevant for someone trying to learn Japanese.

I have been interested in yojijukugo since soon after I started learning Japanese. I bought a pocket-size yojijukugo dictionary and would highlight entries as I came across them in real life. I have mostly discovered them reading but have sometimes noticed them in podcasts after I know what to listen for. I would be very unlikely to pick up any yojujukugo from context by listening. When I re-discover an idiom in a podcast, I get a very rewarding feeling—lots of reading is paying off.

The Night is Short, Walk on Girl by Morimi Tomihiko (夜は短し歩けよ乙女 by 森見登美彦) is filled with interesting yojijukugo. As with any vocabulary, yojijukugo are hard to learn in isolation, so this novel provides a great opportunity to see many instances used in context by an expert. I will pull out my ten favorite and include the sentence they came from as well as the context.

Continue reading “Ten Japanese Four-Character Idioms in Context from “The Night is Short, Walk on Girl””

Translation of a scene from Morimi Tomihiko’s “The Night is Short, Walk on Girl”

夜は短し歩けよ乙女 by 森見登美彦 has been popular for a long time, and has recently gained in popularity as I watch it’s rankings in bookemeter.com. I think this is because an animated movie based on the book came out in theaters this month in Japan.

I have read a couple of novels from Morimi Tomihiko, and his writing style is my favorite I’ve encountered so far. The extensive and out of the ordinary vocabulary he uses, and his roundabout ways of expressing things makes his writing very interesting to read. His books are also a treasure trove of new (to me) and interesting, but not necessarily common, vocabulary to learn.

I haven’t been too drawn to the plots and settings of the Morimi books I have read so far. It’s not that they’re bad, but they’re just not quite my taste. I find that the writing style is so interesting, that I’m not too worried if the plot and setting are not my favorite and look forward to reading more of his books.

I will translate a strange scene from the middle of this novel. I’m not able to do the writing style justice in translation, but I try to get the meaning across. The section I translated was not actually too dense with challenging vocabulary.

Continue reading “Translation of a scene from Morimi Tomihiko’s “The Night is Short, Walk on Girl””